The Lives of Others All Torrents - In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming.

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Running time 137 minutes Country Germany Language German Budget $2 million Box office $77.3 million The Lives of Others (German: Das Leben der Anderen) is a 2006 drama film, marking the feature film debut of filmmaker, about the monitoring of residents by agents of the, the 's secret police. It stars as Stasi Captain Gerd Wiesler, as his superior Anton Grubitz, as the playwright Georg Dreyman, and as Dreyman's lover, a prominent actress named Christa-Maria Sieland. The film was released in Germany on 23 March 2006.

At the same time, the screenplay was published. The Lives of Others won the for. The film had earlier won seven awards—including those for best film, best director, best screenplay, best actor, and best supporting actor—after setting a new record with 11 nominations. It was nominated for Best Foreign Language Film at the. The Lives of Others cost US$2 million and grossed more than US$77 million worldwide as of November 2007. Released 17 years after the fall of the marking the end of the East German socialist state, it was the first notable drama film about the subject after a series of comedies such as and. This approach was widely applauded in Germany even as some criticized the humanization of Wiesler's character.

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Many former East Germans were stunned by the factual accuracy of the film's set and atmosphere, accurately portraying a state which with and ceased to exist 16 years prior to the release. The film's authenticity was considered notable, given that the director grew up outside of East Germany and was only sixteen when the Berlin Wall fell. This article's plot summary may be. Please by removing unnecessary details and making it more concise. (January 2018) In 1984, legendary Hauptmann Gerd Wiesler , code name HGW XX/7, accepts an assignment from his superiors to spy on the playwright Georg Dreyman , who has previously escaped state scrutiny due to his pro-Communist views and international recognition.

Wiesler and his team bug the apartment, set up surveillance equipment in an attic, and begin reporting Dreyman's activities. Shortly after his surveillance begins, Wiesler learns the real reason for why Dreyman has been put under surveillance: the Minister of Culture, Bruno Hempf covets Dreyman's girlfriend, actress Christa-Maria Sieland , and is trying to eliminate Dreyman as a romantic rival.

While Wiesler's superior, Lt. Anton Grubitz , sees no problem with this, as it is an opportunity for advancement, the idealist Wiesler is skeptical.

Minister Hempf coerces Sieland into having sex with him by exploiting her reliance on the state for employment as an actress and her addiction to prescription medication. After an intervention by Wiesler leads to Dreyman discovering Sieland's relationship with Hempf, he implores her not to meet him again. Sieland flees to a nearby bar where Wiesler, posing as a fan, urges her to be true to herself. She returns home and reconciles with Dreyman, rejecting Hempf. Though a communist and supporter of the, Dreyman becomes disillusioned with the treatment of his colleagues by the state. At his birthday party, his friend Albert Jerska (a theatrical director) gives him for Sonate vom Guten Menschen ( Sonata for a Good Man). Shortly afterwards, Jerska hangs himself.

Dreyman decides to publish an anonymous article on the East German suicide rate in, a prominent West German newsweekly. Dreyman's article accuses the state of callously ignoring those who commit suicide and of deliberately concealing the country's elevated suicide rates.

Since all East German are registered, an editor of Der Spiegel smuggles Dreyman a miniature typewriter with a red ribbon. Dreyman hides the typewriter under a false floorboard of his apartment, but is seen one afternoon by Sieland hiding it there as she returns to the apartment.

When Dreyman and his friends feign a defection attempt to determine whether his flat is bugged, Wiesler, who has become sympathetic to Dreyman and disillusioned with the GDR and the Stasi, does not alert the border guards, and the conspirators believe they are safe. He also decides against informing his boss of Dreyman's article and instead requests that surveillance be scaled back to eliminate his subordinate. A few days later, Dreyman's article is published, angering the East German authorities. The Stasi obtains a copy of the suicide article, typewritten in red ink, but they are unable to link it to any typewriter legally registered in the GDR. Livid at being jilted by Sieland, Hempf orders Grubitz to arrest her, informing him where she illegally buys her prescription drugs. She is blackmailed into revealing Dreyman's authorship of the article and becoming an informant.

When the Stasi search his apartment, however, they cannot find the typewriter. Dreyman and his friends conclude that Sieland could not have informed because she would have given away the location of the hidden typewriter. Grubitz, suspicious that Wiesler has mentioned nothing unusual in his daily reports of the monitoring, gives Wiesler 'one more chance' and orders him to do the follow-up interrogation of Sieland. Wiesler resumes his role as Stasi interrogator and forces Sieland to tell him exactly where the typewriter is hidden. Grubitz and the Stasi return to Dreyman's apartment.

Sieland panics when she realizes that Dreyman will know she betrayed him and flees the apartment. When Grubitz removes the floor, however, the typewriter is gone—Wiesler having removed it before the search team got there. Unaware of this, Sieland runs to the street and commits suicide by stepping into the path of an oncoming truck. Grubitz offers a perfunctory claim of sympathy and informs Dreyman that the investigation is over.

Wiesler drives Grubitz back to the Stasi and where Wiesler is told that his career is over, and that his remaining 20 years with the agency will be in Department M, a dead-end position for disgraced agents. As he leaves, Grubitz discards a newspaper announcing as the new leader of the. Four years later, on November 9, 1989, Wiesler is steam-opening letters in the cramped, windowless office of Department M when a co-worker (the same person who was caught telling Wiesler a joke about East-Germany's leader) tells him about the. Realizing that this will mean the end of the GDR and the Stasi, Wiesler silently stands and leaves the office, inspiring his co-workers to do the same.

Two years later, Hempf and Dreyman have a chance encounter while both are attending a new performance of Dreyman's play. Dreyman asks the former government minister why he had never been monitored. Much to his surprise, Hempf tells him that he had, in fact, been under full surveillance and to 'look behind the light switches' for the listening devices that had been installed in 1984. Dreyman searches his apartment, finds the wiring and rips it from the walls in frustration.

At the, Dreyman reviews the files the Stasi kept while he was under surveillance. He reads that Sieland was released just before the second search, and could not have removed the typewriter. As he goes through his files, he is at first confused by the false and contradicting information that has been written about his activities, but when he reaches the final typewritten report, he sees a fingerprint in red ink just under the signature. Dreyman finally realizes that the officer in charge of his surveillance—Stasi officer HGW XX/7 (which means Hauptmann Gerd Wiesler, Main Department XX, Department 7)—had knowingly concealed his illegal activities, including his authorship of the suicide article, and that he had been the one who had removed the typewriter from its hidden location. Dreyman searches for Wiesler, who now has a job as a postman, and finds him on his rounds. Unsure of what to say to him, however, he decides not to approach him. Two years later, Wiesler still has the same job and, whilst on his round, passes a bookstore window display promoting Dreyman's new novel, Sonate vom Guten Menschen.

He goes inside and opens a copy of the book, discovering it is dedicated 'To HGW XX/7, in gratitude'. Deeply moved, Wiesler buys the book. When the sales clerk asks if he wants it gift-wrapped, he responds, 'No. This is for me.' Retrieved 2012-11-24.

Retrieved 7 July 2011. ^ Riding, Alan (7 January 2007). New York Times. Retrieved 2007-07-27.

Retrieved 2007-10-25. (2007-05-31). The New York Review of Books. Retrieved 2014-11-17. It was therefore with particular interest that I recently sat down to watch The Lives of Others, this already celebrated film about the Stasi, made by a West German director who was just sixteen when the Berlin Wall came down.

Retrieved 2007-08-17. 26 February 2012. Retrieved 26 March 2009. ^ Fundler, Anna (5 May 2007). The Guardian. Elley, Derek (11 June 2006).

Daily Variety. Retrieved 2007-08-17.; 'The 10 Best Movies'; magazine; 24 December 2007; Page 40. Ebert, Roger (21 September 2007). Chicago Sun-Times. Retrieved 14 July 2010.

Scott, A.O. (9 February 2007). The New York Times. Retrieved 2007-08-17. Turan, Kenneth (1 December 2006). The Los Angeles Times. Archived from on 9 May 2007.

Retrieved 2007-08-17. Podhoretz, John (25 July 2007). National Review Online. Retrieved 2007-08-17. Buckley, Jr., William F.

(23 May 2007). Retrieved 2007-08-17. Miller, John (23 February 2009). Retrieved 19 August 2009. ^ Zacharek, Stephanie (9 February 2007). Retrieved 2007-08-17.

Rosenblatt, Josh (2 March 2007). Retrieved 2007-08-17. Schwarzbaum, Lisa (2 February 2007). Entertainment Weekly. Retrieved 2007-08-17. 23 July 2007.

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Retrieved 2007-08-24. Zizek, Slavoj (18 May 2007). In These Times. Retrieved 2007-08-17. 23 August 2016. Retrieved 8 November 2016. Archived from on 2 January 2008.

Retrieved 2008-01-05. Germain, David; Christy Lemire (27 December 2007). Associated Press, via. Archived from on 3 January 2008. Retrieved 2007-12-31. Goethe Institute. June 30, 2013.

Friedman, Brad (14 June 2013). Hoffmann, Sheila Weller (15 July 2013).

The Washington Post. Sarfraz Manzoor. Retrieved 18 August 2013.

Retrieved 18 August 2013. ^. Nickerson, Colin (29 May 2006). The Boston Globe. The Telegraph.

27 July 2007. Retrieved 2012-11-30. Bibliography. Paul Cooke (ed.): 'The Lives of Others' and Contemporary German Film. De Gruyter, Berlin/Boston 2013,.: Conspiracy, Security, and Human Care in Donnersmarck’s Leben der Anderen. 38 (2013), No. 1, pp. 129–141.

in the about the film's political impact in Germany. with about the film. , a February 2007 interview. from digischool.nl External links. on. at.

at. at.

Detailing the lives of those in the Communist controlled GDR, 'The Lives of Others' succinctly shows the humanism of those in the Stasi (secret German police). While most dystopian texts and films deal with the fight between the enemy (government) and the hunted (citizens) this film deals more in showing how all people were oppressed by this form of Communism, and the lengths this government took in silencing dissenters. It created a blatant, all-encompassing fear among its people as well. The characters have complex motivations for their actions: the playwright loves his country but is touched by its darkness when his friend is blacklisted, his girlfriend has a drug addiction and needs the help of a high ranking official, and the culture minister uses government resources for personal reasons under a veil of socialist reform. The transformation of the main character from a detached and yet passionate government worker, into a fully realized dissenter, is shown throughout the course of the film.

The irony of the events, and the interconnected evolution of each character's feelings towards their country, shape the film's narrative. Much of this film remains gripping if not subtle in its depictions. Not only will you learn quite a bit about the operational exploits of the Stasi, but the true feelings of oppression exhibited by the main characters. ½ Before going Hollywood with The Tourist, writer/director Florian Henckel von Donnersmarck delivered the goods with this stellar Cold War drama.

The time is 1984. The place is East Germany. Our protagonist is a member of the Stasi, or State Secret Police.

His job is to constantly monitor the activities of whoever he is told to. And he does, being the consummate professional that he is. Things start to get iffy though when he is assigned to monitor a playright who has a reputation for being a staunch pro-Communist.especially when the revelations he uncovers have major consequences for lots of people, including himself. I really loved this one.

It's weird for me to say that too, because surveillance and bugging, and all of that creeps me out. The world of paranoia and secrecy is quite fascinating though, especially here since this is a period piece rooted in interesting history.

The film is subtle, quiet, intelligent, and really rewarding for the patient. It's also gorgeous in its look, mood, tone, atmosphere, and art direction/set design. It is a thriller, bbut not the slam bang wall -to-wall action type, and that's what I liked about it. Yeah, there's some development lacking with some of the characters, but overall this is still a marvelous piece of work with some tremendous acting, good ideas, and great subject matter. Definitely give this one a look. It's not going to be for all tastes, but if you enjoyed something like Tinker Tailor Soldier Spy, then you'll probably enjoy this one as well.